LIVE PRODUCTS
Leaf-Inlaid Tenmoku Glaze—- Leaf Mug 2
Leaf-Patterned Tenmoku Glaze is a type of black-glazed porcelain originating from the Jizhou Kiln of the Southern Song Dynasty. Its uniqueness lies in fusing the ash of mulberry or bodhi leaves with black glaze through high-temperature firing, forming off-white vein-like patterns. The core of this craftsmanship involves placing processed leaves on glazed ceramic bodies, which are then fired at a high temperature of approximately 1,300°C. This causes the leaf ash to blend into the glaze, creating a "leaf vein" decorative effect that stands in striking contrast to the black glaze.
Leaf-Patterned Tenmoku Glaze was exported overseas during the Song and Yuan dynasties. In the 1980s, the long-lost ancient techniques for producing it were successfully reproduced, and it has now been listed as a National Intangible Cultural Heritage.
Leaf-Inlaid Tenmoku Glaze—- Teacup 1
Leaf-Patterned Tenmoku Glaze is a type of black-glazed porcelain originating from the Jizhou Kiln of the Southern Song Dynasty. Its uniqueness lies in fusing the ash of mulberry or bodhi leaves with black glaze through high-temperature firing, forming off-white vein-like patterns. The core of this craftsmanship involves placing processed leaves on glazed ceramic bodies, which are then fired at a high temperature of approximately 1,300°C. This causes the leaf ash to blend into the glaze, creating a "leaf vein" decorative effect that stands in striking contrast to the black glaze.
Leaf-Patterned Tenmoku Glaze was exported overseas during the Song and Yuan dynasties. In the 1980s, the long-lost ancient techniques for producing it were successfully reproduced, and it has now been listed as a National Intangible Cultural Heritage.
Leaf-Inlaid Tenmoku Glaze—- Teacup 2
Leaf-Patterned Tenmoku Glaze is a type of black-glazed porcelain originating from the Jizhou Kiln of the Southern Song Dynasty. Its uniqueness lies in fusing the ash of mulberry or bodhi leaves with black glaze through high-temperature firing, forming off-white vein-like patterns. The core of this craftsmanship involves placing processed leaves on glazed ceramic bodies, which are then fired at a high temperature of approximately 1,300°C. This causes the leaf ash to blend into the glaze, creating a "leaf vein" decorative effect that stands in striking contrast to the black glaze.
Leaf-Patterned Tenmoku Glaze was exported overseas during the Song and Yuan dynasties. In the 1980s, the long-lost ancient techniques for producing it were successfully reproduced, and it has now been listed as a National Intangible Cultural Heritage.
Leaf-Inlaid Tenmoku Glaze—- Teacup 3
Leaf-Patterned Tenmoku Glaze is a type of black-glazed porcelain originating from the Jizhou Kiln of the Southern Song Dynasty. Its uniqueness lies in fusing the ash of mulberry or bodhi leaves with black glaze through high-temperature firing, forming off-white vein-like patterns. The core of this craftsmanship involves placing processed leaves on glazed ceramic bodies, which are then fired at a high temperature of approximately 1,300°C. This causes the leaf ash to blend into the glaze, creating a "leaf vein" decorative effect that stands in striking contrast to the black glaze.
Leaf-Patterned Tenmoku Glaze was exported overseas during the Song and Yuan dynasties. In the 1980s, the long-lost ancient techniques for producing it were successfully reproduced, and it has now been listed as a National Intangible Cultural Heritage.
Leaf-Inlaid Tenmoku Glaze—- Teacup 4
Leaf-Patterned Tenmoku Glaze is a type of black-glazed porcelain originating from the Jizhou Kiln of the Southern Song Dynasty. Its uniqueness lies in fusing the ash of mulberry or bodhi leaves with black glaze through high-temperature firing, forming off-white vein-like patterns. The core of this craftsmanship involves placing processed leaves on glazed ceramic bodies, which are then fired at a high temperature of approximately 1,300°C. This causes the leaf ash to blend into the glaze, creating a "leaf vein" decorative effect that stands in striking contrast to the black glaze.
Leaf-Patterned Tenmoku Glaze was exported overseas during the Song and Yuan dynasties. In the 1980s, the long-lost ancient techniques for producing it were successfully reproduced, and it has now been listed as a National Intangible Cultural Heritage.
Tortoiseshell Porcelain —— coffee cup 3
Tortoiseshell porcelain features a black glaze as its base, accompanied by amber-colored streaks. Its glaze surface shimmers faintly in dim tawny yellow hues, with patterns flowing naturally—resembling deep-sea seaweed or nighttime fireworks. Its dark, muted tones and thick, substantial texture are praised as "the beauty of 'sea gold'", making it a cherished treasure pursued by ancient literati and refined scholars. Due to the rich variations in its patterns, it exhibits a typical kiln transformation effect.
Tortoiseshell Porcelain ——Coffee Cup 1
Tortoiseshell porcelain features a black glaze as its base, accompanied by amber-colored streaks. Its glaze surface shimmers faintly in dim tawny yellow hues, with patterns flowing naturally—resembling deep-sea seaweed or nighttime fireworks. Its dark, muted tones and thick, substantial texture are praised as "the beauty of 'sea gold'", making it a cherished treasure pursued by ancient literati and refined scholars. Due to the rich variations in its patterns, it exhibits a typical kiln transformation effect.
Tortoiseshell Porcelain ——Coffee Cup 2
Tortoiseshell porcelain features a black glaze as its base, accompanied by amber-colored streaks. Its glaze surface shimmers faintly in dim tawny yellow hues, with patterns flowing naturally—resembling deep-sea seaweed or nighttime fireworks. Its dark, muted tones and thick, substantial texture are praised as "the beauty of 'sea gold'", making it a cherished treasure pursued by ancient literati and refined scholars. Due to the rich variations in its patterns, it exhibits a typical kiln transformation effect.
Tortoiseshell Porcelain ——Coffee Cup 3
Tortoiseshell porcelain features a black glaze as its base, accompanied by amber-colored streaks. Its glaze surface shimmers faintly in dim tawny yellow hues, with patterns flowing naturally—resembling deep-sea seaweed or nighttime fireworks. Its dark, muted tones and thick, substantial texture are praised as "the beauty of 'sea gold'", making it a cherished treasure pursued by ancient literati and refined scholars. Due to the rich variations in its patterns, it exhibits a typical kiln transformation effect.
Tortoiseshell Porcelain ——Coffee Cup 4
Tortoiseshell porcelain features a black glaze as its base, accompanied by amber-colored streaks. Its glaze surface shimmers faintly in dim tawny yellow hues, with patterns flowing naturally—resembling deep-sea seaweed or nighttime fireworks. Its dark, muted tones and thick, substantial texture are praised as "the beauty of 'sea gold'", making it a cherished treasure pursued by ancient literati and refined scholars. Due to the rich variations in its patterns, it exhibits a typical kiln transformation effect.
Tortoiseshell Porcelain ——Cute leopard print coffee cup
Tortoiseshell porcelain features a black glaze as its base, accompanied by amber-colored streaks. Its glaze surface shimmers faintly in dim tawny yellow hues, with patterns flowing naturally—resembling deep-sea seaweed or nighttime fireworks. Its dark, muted tones and thick, substantial texture are praised as "the beauty of 'sea gold'", making it a cherished treasure pursued by ancient literati and refined scholars. Due to the rich variations in its patterns, it exhibits a typical kiln transformation effect.