LIVE PRODUCTS
Leaf-Inlaid Tenmoku Glaze—- Teacup 2
Leaf-Patterned Tenmoku Glaze is a type of black-glazed porcelain originating from the Jizhou Kiln of the Southern Song Dynasty. Its uniqueness lies in fusing the ash of mulberry or bodhi leaves with black glaze through high-temperature firing, forming off-white vein-like patterns. The core of this craftsmanship involves placing processed leaves on glazed ceramic bodies, which are then fired at a high temperature of approximately 1,300°C. This causes the leaf ash to blend into the glaze, creating a "leaf vein" decorative effect that stands in striking contrast to the black glaze.
Leaf-Patterned Tenmoku Glaze was exported overseas during the Song and Yuan dynasties. In the 1980s, the long-lost ancient techniques for producing it were successfully reproduced, and it has now been listed as a National Intangible Cultural Heritage.
Leaf-Inlaid Tenmoku Glaze—- Teacup 3
Leaf-Patterned Tenmoku Glaze is a type of black-glazed porcelain originating from the Jizhou Kiln of the Southern Song Dynasty. Its uniqueness lies in fusing the ash of mulberry or bodhi leaves with black glaze through high-temperature firing, forming off-white vein-like patterns. The core of this craftsmanship involves placing processed leaves on glazed ceramic bodies, which are then fired at a high temperature of approximately 1,300°C. This causes the leaf ash to blend into the glaze, creating a "leaf vein" decorative effect that stands in striking contrast to the black glaze.
Leaf-Patterned Tenmoku Glaze was exported overseas during the Song and Yuan dynasties. In the 1980s, the long-lost ancient techniques for producing it were successfully reproduced, and it has now been listed as a National Intangible Cultural Heritage.
Leaf-Inlaid Tenmoku Glaze—- Teacup 4
Leaf-Patterned Tenmoku Glaze is a type of black-glazed porcelain originating from the Jizhou Kiln of the Southern Song Dynasty. Its uniqueness lies in fusing the ash of mulberry or bodhi leaves with black glaze through high-temperature firing, forming off-white vein-like patterns. The core of this craftsmanship involves placing processed leaves on glazed ceramic bodies, which are then fired at a high temperature of approximately 1,300°C. This causes the leaf ash to blend into the glaze, creating a "leaf vein" decorative effect that stands in striking contrast to the black glaze.
Leaf-Patterned Tenmoku Glaze was exported overseas during the Song and Yuan dynasties. In the 1980s, the long-lost ancient techniques for producing it were successfully reproduced, and it has now been listed as a National Intangible Cultural Heritage.
Tortoiseshell Porcelain ——Coffee Cup 2
Tortoiseshell porcelain features a black glaze as its base, accompanied by amber-colored streaks. Its glaze surface shimmers faintly in dim tawny yellow hues, with patterns flowing naturally—resembling deep-sea seaweed or nighttime fireworks. Its dark, muted tones and thick, substantial texture are praised as "the beauty of 'sea gold'", making it a cherished treasure pursued by ancient literati and refined scholars. Due to the rich variations in its patterns, it exhibits a typical kiln transformation effect.
Tortoiseshell Porcelain ——Coffee Cup 3
Tortoiseshell porcelain features a black glaze as its base, accompanied by amber-colored streaks. Its glaze surface shimmers faintly in dim tawny yellow hues, with patterns flowing naturally—resembling deep-sea seaweed or nighttime fireworks. Its dark, muted tones and thick, substantial texture are praised as "the beauty of 'sea gold'", making it a cherished treasure pursued by ancient literati and refined scholars. Due to the rich variations in its patterns, it exhibits a typical kiln transformation effect.
Tortoiseshell Porcelain ——Coffee Cup 4
Tortoiseshell porcelain features a black glaze as its base, accompanied by amber-colored streaks. Its glaze surface shimmers faintly in dim tawny yellow hues, with patterns flowing naturally—resembling deep-sea seaweed or nighttime fireworks. Its dark, muted tones and thick, substantial texture are praised as "the beauty of 'sea gold'", making it a cherished treasure pursued by ancient literati and refined scholars. Due to the rich variations in its patterns, it exhibits a typical kiln transformation effect.
Wood-Fired Pocelain— Coffee Cup 5
Wood-fired pottery is an ancient firing method, with wood as the primary fuel for the kiln. Initially, when firing pottery, it was necessary to cover the ceramic bodies to isolate wood ash from fire and avoid direct contact, ensuring the consistent glaze color of the products. In ancient China’s orthodox porcelain-making standards, any traces of ash on the glaze or fire marks on the ceramic bodies were not appreciated (when technically avoidable) and were regarded as flawed products.
Wood-Fired Porcelain — Coffee Cup
Wood-fired pottery is an ancient firing method, with wood as the primary fuel for the kiln. Initially, when firing pottery, it was necessary to cover the ceramic bodies to isolate wood ash from fire and avoid direct contact, ensuring the consistent glaze color of the products. In ancient China’s orthodox porcelain-making standards, any traces of ash on the glaze or fire marks on the ceramic bodies were not appreciated (when technically avoidable) and were regarded as flawed products.
Wood-Fired Porcelain — Coffee Cup 3
Wood-fired pottery is an ancient firing method, with wood as the primary fuel for the kiln. Initially, when firing pottery, it was necessary to cover the ceramic bodies to isolate wood ash from fire and avoid direct contact, ensuring the consistent glaze color of the products. In ancient China’s orthodox porcelain-making standards, any traces of ash on the glaze or fire marks on the ceramic bodies were not appreciated (when technically avoidable) and were regarded as flawed products.
Wood-Fired Porcelain — Coffee Cup 4
Wood-fired pottery is an ancient firing method, with wood as the primary fuel for the kiln. Initially, when firing pottery, it was necessary to cover the ceramic bodies to isolate wood ash from fire and avoid direct contact, ensuring the consistent glaze color of the products. In ancient China’s orthodox porcelain-making standards, any traces of ash on the glaze or fire marks on the ceramic bodies were not appreciated (when technically avoidable) and were regarded as flawed products.
Wood-Fired Porcelain — Coffee Cup 7
Wood-fired pottery is an ancient firing method, with wood as the primary fuel for the kiln. Initially, when firing pottery, it was necessary to cover the ceramic bodies to isolate wood ash from fire and avoid direct contact, ensuring the consistent glaze color of the products. In ancient China’s orthodox porcelain-making standards, any traces of ash on the glaze or fire marks on the ceramic bodies were not appreciated (when technically avoidable) and were regarded as flawed products.